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Secrets of Home Decoration Book |
Decorate A Small Bedroom
decorate a small bedroompage 36 of 107 the sense of shelter which is so grateful to eyes and senses a little dazzled by the brilliance of out-of-door lights; whereas a room darkened or shaded by a piazza, or somewhat chilled by a northern exposure and want of sun, would be warmed and comforted by tints of gold-coloured yellow. Interiors with a southern exposure should be treated with cool, light colours, blues in various shades, water-greens, and silvery tones which will contrast with the positive yellow of sunlight. It is by no means a merely arbitrary rule. Colours are actually warm or cold in temperature, as well as in effect upon the eye or the imagination, in fact the words cover a long-tested fact. I remember being told by a painter of his placing a red sunset landscape upon the flat roof of a studio building to dry, and on going to it a few hours afterward he found the surface of it so warm to the touch--so sensibly warmer than the gray and blue and green pictures around it--that he brought a thermometer to test it, and found it had acquired and retained heat. It was actually warmer by degrees than the gray and blue pictures in the same sun exposure. We instinctively wear warm colours in winter and dispense with them in summer, and this simple fact may explain the art which allots what we call warm colour to rooms without sun. When we say warm colours, we mean yellows, reds with all their gradations, gold or sun browns, and dark browns and black. When we say cool colours--whites, blues, grays, and cold greens--for greens may be warm or cold, according to their composition or intensity. A water-green is a cold colour, so is a pure emerald green, so also a blue-green; while an olive, or a gold-green comes into the category of warm colours. This is because it is a composite
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