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Secrets of Home Decoration Book |
Southwest Interior Designs
southwest interior designspage 49 of 107 had never even seen--the destiny of which unfortunate copy, changed in size, colour, and all the qualities which gave value to the original, is probably to be hung as a picture in the centre of a space of wall-paper totally antagonistic in colour. When I see these things I long to curb the ambition of the unfortunate tapestry-painter until a course of study has taught him or her the proper use of a really useful process; for whether the object is to produce a decoration or a simulated tapestry, it is not attained by these methods. The ordinary process of painting in dyes upon a wool or linen fabric woven in tapestry method, and fixing the colour with heat, enables the painter--if a true tapestry subject is chosen and tapestry effects carefully studied--to produce really effective and good things, and this opens a much larger field to the woman decorator than the ordinary unstudied shams which have thrown what might become in time a large and useful art-industry into neglect and disrepute. I have seen the walls of a library hung with Siberian linen, stained in landscape design in the old blues and greens which give tapestry its decorative value, and found it a delightful wall-covering. Indeed we may lay it down as a principle in decoration that while we may use and adapt any decorative _effect_ we must not attempt to make it pass for the thing which suggested the effect. Coarse and carefully woven linens, used as I have indicated, are really far better than old tapestries for modern houses, because the design can be adapted to the specific purpose and the texture itself can be easily cleaned and is more appropriate to the close walls and less airy rooms of this century. For costly wall-decoration, leather is another of the substances which
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