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Loft Interior Designs
loft interior designspage 51 of 107 can hardly be said of any other substance. There are wainscotted rooms in old houses in Newport, where, under the accumulated paint of one or two centuries, great panels of old Spanish mahogany can still be found, not much the worse for their long eclipse. Such rooms, in the original brilliancy of colour and polish, with their parallel shadings of mahogany-red reflecting back the firelight from tiled chimney-places and scattering the play of dancing flame, must have had a beauty of colour hard to match in this day of sober oak and painted wainscottings. [Illustration: PAINTED CANVAS FRIEZE] [Illustration: BUCKRAM FRIEZE FOR DINING-ROOM] One of the lessons gained by experience in treatment of house interiors, is that plain, flat tints give apparent size to small rooms, and that a satisfying effect in large ones can be gained by variation of tint or surface; also, that in a bedroom or other small room apparent size will be gained by using a wall covering which is light rather than dark. Some difference of tone there must be in large plain surfaces which lie within the level of the eye; or the monotony of a room becomes fatiguing. A plain, painted wall may, it is true, be broken by pictures, or cabinets, or bits of china; anything in short which will throw parts of it into shadow, and illumine other parts with gilded reflections; but even then there will be long, plain spaces above the picture or cabinet line, where blank monotony of tone will be fatal to the general effect of the room. It is in this upper space, upon a plain painted wall, that a broad line of flat decoration should occur, but on a wall hung with paper or cloth, it is by no means necessary. Damasked cloths, where the design is shown by the direction of woven threads, are
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