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Secrets of Home Decoration Book |
Give Me Some Ideas On Interior Designs
give me some ideas on interior designspage 62 of 107 Thus, in a room where the walls are of a pale shade of copper, the rugs should bring in a variety of reds which would be natural parts of the same scale, like lower notes in the octave; and yet should add patches of relative blues and harmonising greens; possibly also, deep gold, and black and white;--the latter in minute forms and lines which only accent or enrich the general effect. It is really an interesting problem, why the strong colours generally used in Oriental rugs should harmonise so much better with weaker tints in walls and furniture than even the most judiciously selected carpets can possibly do. It is true there are bad Oriental rugs, very bad ones, just as there may be a villain in any congregation of the righteous, but certainly the long centuries of Eastern manufacture, reaching back to the infancy of the world, have given Eastern nations secrets not to be easily mastered by the people of later days. But if we cannot tell with certainty why good rugs fit all places and circumstances, while any other thing of mortal manufacture must have its place carefully prepared for it, we may perhaps assume to know why the most beautiful of modern carpets are not as easily managed and as successful. In the first place having explained that some contrast, some fillip of opposing colour, something which the artist calls _snap_, is absolutely required in every successful colour scheme, we shall see that if we are to get this by simple means of a carpet, we must choose one which carries more than one colour in its composition, and colour introduced as design must come under the laws of mechanical manufacture; that is, it must come in as _repeating_ design, and here comes in the real difficulty. The same forms and the same colours must come in in the same
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