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Secrets of Home Decoration Book |
Southwest Interior Designs
southwest interior designspage 76 of 107 thought into all the intimacies of domestic life. The fad of furnishing different rooms in different periods of art, and in the fashion of nations and peoples whose lives are totally dissimilar, may easily be carried too far, and the spirit of home, and even of beauty, be lost. Of course this applies to small, and not to grand houses, which are always exceptions to the purely domestic idea. There are many reasons why one should be in sympathy with what is called the "colonial craze"; not only because colonial days are a part of our history, but because colonial furniture and decorations were derived directly from the best period of English art. Its original designers were masters who made standards in architectural and pictorial as well as household art. The Adams brothers, to whom many of the best forms of the period are referable, were great architects as well as great designers. Even so distinguished a painter as Hogarth delighted in composing symmetrical forms for furniture, and preached persistently the beauty of curved instead of rectangular lines. It was, in fact, a period in which superior minds expressed themselves in material forms, when Flaxman, Wedgwood, Chippendale and many others of their day, true artists in form, wrote their thoughts in wood, stone, and pottery, and bequeathed them to future ages. Certainly the work of such minds in such company must outlast mere mechanical efforts. It is interesting to note, that many of the Chippendale chairs keep in their under construction the square and simple forms of a much earlier period, while the upper part, the back, and seats are carved into curves and floriated designs. One cannot help wondering whether this square solidity was simply a reminiscence or persistence of earlier forms, or a conscious return to
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