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Secrets of Home Decoration Book |
Kitchen Remodeling Layouts
kitchen remodeling layoutspage 96 of 107 what is called the "colour-sense" with which they are applied. To use them together requires not only observation of colour-occurrences in nature but sensitiveness to the more subtle out-of-door effects, resulting from intermingling of shadows and reflection of lights. Well done, it is one of the most beautiful and satisfactory of achievements, but it may easily be bad by reason of sharp contrasts, or unmodified juxtaposition. But a room where blue in all its shades from dark to light alone predominates, or a room where only green is used, bright and gray tones in contrast and variation is within the reach of most colour-loving mortals, and as both of these tints are companionable with oak and gold, and to be found in nearly all decoration materials, it is easy to arrange a refined and beautiful effect in either colour. It will require little reflection to show that a hall skilfully treated with green or blue tints would modify the colour of sunlight, without giving a sense of discord. It would be like passing only from sunlight to grateful shadow, and this because in all art the actual representation shadow-colour would be blue or green. The shadow of a tree falling upon snow on a sunny winter day is blue. The shadow of a sunheated rock in summer is green, and the success of either of these schemes of decoration would be because of adherence to an actual principle of colour, or a knowledge of the peculiar qualities of certain colours and their proper use. It would be an intelligent application of the medicinal or healing qualities of colour to the constitution of the house, as skilful physicians use medicines to overcome constitutional defects or difficulties in man. This may be called _corrective_ treatment of a room, and may, of course,
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